THE ISSUE OF AUTHORSHIP AND CREATIVITY IN ARTIFICIAL INTELLIGENCE-BASED MUSIC: A THEORETICAL ANALYSIS FROM THE PERSPECTIVE OF NATIONAL MUSICAL ART
Keywords:
artificial intelligence, generative music, authorshipAbstract
This article examines the transformation of the concepts of authorship and creativity in the context of music created on the basis of artificial intelligence from the perspective of national musical art on a theoretical and analytical basis. As the possibilities of generative algorithms for creating musical compositions expand, the issues of individual authorship and subjective creative intention inherent in the classical aesthetic model are being reconsidered. The study proposes a multi-layered (technical, informational and operational) model of authorship and analyzes the ontological features of the algorithmic generation process. It also discusses the possible impact of artificial intelligence music on national musical traditions, in particular, on schools of performance based on oral transmission and personal interpretation. The article justifies the need to manage artificial intelligence technologies based on aesthetic criteria, rather than denying them. In conclusion, it is emphasized that the ontological essence of art is associated with human consciousness, aesthetic intention and spiritual responsibility.
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